On the recordings Martyn experiments with a tape echo called Echoplex, giving him possibilities to stretch out and add things to the stripped down recording.
"The predecessor of the Echoplex was a tape echo designed by Ray Butts in the 1950s, who built it into guitar amplifiers, including those of Chet Atkins and Carl Perkins. Tape echos work by recording sound on a magnetic tape which is then played back; the tape speed or distance between heads determine the delay, while a feedback variable (where the delayed sound is delayed again) allows for a repetitive effect.”
Excerpt from Wikipedia on the subject Echoplex.
Head and Heart - John Martyn
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